Listen to separate partys of Baroque duration silence and Classical duration silence. Then select undivided party of silence from each duration to parallel.
Listen to the Baroque duration party Pachelbel’s Canon in D elder.
Listen to attached Baroque silence—such as Bach’s Brandenburg Concerto, or Handel’s Water Silence.
Listen to Classical silence—such as by Haydn, Mozart, or Beethoven.
The aftercited aspects:
Is there a separation in the largeness of the orchestra and the authentication of instruments?
Comment on some of the elements of combination in each party: gauge, rhythm, minstrelsy, similarity, tonality (separation of melody from guitar immorality piano), and matter (mood).
What humor does each party insinuate to you?
Conclude with some reflections on how twain partys disagree from late approved silence.
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